Wednesday, 23 March 2016

Major Project - Learning the Craft of Screen Writing

During the writing of the show, I've had to take into consideration the fact that this is something completely new to me. Not so much in terms of writing scripts (I've done that before on past projects) but more in terms of scriptwriting in long form. I've never really written 25 page scripts before so its quite an experience to engage yourself with. Sometimes its difficult to stay focused or to overcome obstacles when trying to pave new grounds for yourself as a writer.

Some artists prefer to learn and use the form intuitively, without explicit or conscious understanding of the form. They've been immersed in the form, so they can create within the standards of the form automatically. From my experience writing Different Perspectives, a writer can get blocked not because they are writers, but because they have not mastered the form of their medium. This is why it is important most of all, to be inspired when writing. Because it does not always come natural to a beginner.
It's a strange feeling, working alone on a project. But in a sense, its not really working alone because as long as you want it, you can get feedback throughout. This is where a script editor comes in handy. You can also have people you know, or whose opinions you trust. Filmmaking, as a whole, is the most collaborative art form. This is why I've valued being able to receive feedback from Simon and talk to Mark Cooper (who is also scriptwriting) about each other's projects. Sometimes its so easy to get stuck in your own world that its vital to receive the opinions of others, even if you don't necessarily agree on certain things, its important to have this advice to go back to.

Friday, 11 March 2016

Major Project - Researching Paranoid Schizophrenia for Elliott's Character.

One of the major character elements I have created for the Character of Elliott is that he is a paranoid schizophrenic. This not only effects his behaviour but it is also implemented as a plot device. throughout the show.

One of my main motives for this decision was that it would add conflict to his character as well as Elena's and the people around him since they don't know whether his detoriation is a part of his diagnosis or if he is telling the truth.

Of course, to properly implement this into my writing I had to research the subject beforehand to make sure I fully understood the consequences of what I was writing about.

http://www.mind.org.uk/information-support/types-of-mental-health-problems/schizophrenia/#.VwqZSDYrKCQ
It's important to see how people effected by schizophrenia react to certain situations, which is why I thought this video was quite useful. It's important not to make light of the subject and to have an aura of authenticity about implementing it into Elliott's character.


This is a subject i've been interested in exploring so i'm glad to have the right type of story where I feel this can be used appropriately, and benefitting the relationships of these characters.
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Tuesday, 8 March 2016

Major Project - Tutorial (08/03/16)

He is some of the advice I was given by Simon during our recent Tutorial in which he gave some advice on how to develop my Scripts for Episodes 1-3. 
  • Writing only what we can see onscreen
  • (Don’t describe when you could write in the script!)
  • Show don’t tell
  • don’t have characters talk to themselves
  • Show his job 
  • Invest in details about the characters life
  • Simplify your concepts
  • Show his paranoia, makes it more believable 
  • Maybe change his motives in Episode 2 about his job
  • Don’t just say he’s paranoid, show how his behaviour. 
  • Don’t force the story through dialogue. - Episode 3
  • Show his character 
  • Distinguish these characters

I thought the tutorial went well for the most part, and I got a lot of very useful tips. Using this information, I am certain that I can improve on the layouts of my scripts

One thing I feel that I need to take from these tutorials is to not get myself down about mistakes I have made. Sometimes getting constructive criticism on a project can bruise my ego, especially if there are differences of opinion on how something should play out. But i've realised that that is often the best way you can learn from your mistakes as a screenwriter. 

Saturday, 5 March 2016

Major Project - Writing Treatments and Screenwriting Advice.

I am currently writing out Treatments for Episodes 4-6 of Different Perspectives. The main reason I have decided to do this is that it would take far too long to finish more than three scripts and would take away from the amount of time I want to take to get them up to scratch. I had already spent time during my pre-production phase developing treatments for my idea, but as my idea has developed since then I have found it necessary to re-work a lot of it. In particular i wanted to work on my ending more as I wasn't happy that part of the story for the most part.

I have also spent time researching into other treatments for TV Shows. This included going back to my initial sources such as:
http://www.writing.ie/resources/tv-treatments-what-they-are-and-why-you-need-one-part-1-of-2/

This website was a useful starter whilst writing during my initial Pre-Production work, as it contains a basic checklist for creating a Treatment. As it states Treatments can be quite accommodating in allowing writers to follow a looser set of rules than script-writing. Thankfully I have covered quite a lot of this already. The challenge is improving on what I already know about this type of descriptive writing and putting it to good use.


Another website I've also found useful is a sub-forum on Reddit.

This includes very useful tips from other aspiring writers who want to get some advice on creating/pitching their own ideas. Something I found very interesting to read was seeing the treatment for Stanley Kubrick's The Shining.

https://www.copy.com/s/Nu37uoU4ZhxfnguB/shining%20(treatment).pdf%3Boid%3A247

Something that I find interesting about reading through part of it was just how major plot points appear completely different through out the script. It signifies just how many previously notable scriptwriting elements can be changed or cut out in the process of delivering it to the screen.